Ayabel ◌ "Aya" (
namesthesky) wrote2014-01-14 01:14 pm
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an estate sale
Damn the old lady. Damn her into whatever creative torments have ever been invented for priests to wish on their theological opponents, all simultaneously, for ever and always, let it be done.
Aya is quite aware that she'd revise this opinion if her opinions had any power over the fate of the old lady. Since they do not, she will stand here and silently call down curses.
She was supposed to be willed to herself. She had plans. She was going to sleep in the temple attic and work for the post office and save up enough to go to Carthapane. She was pretty sure she could be enrolled in a college by twenty-five, doing something useful by thirty - she was undecided pending her more formal education between illegal human export and working within the system for debt relief or purchase-to-manumit programs -
And now she'll just count herself lucky if she gets bought by someone with loose enough security that she can flee over the border without falling into a magic, attempt to teach herself Tsopixi, and do - she doesn't have a plan after that, now. Her plan went up in smoke when the old lady's will was read and she was left to the idiot grandson and the idiot grandson traded her to a reseller for enough to cover his bad investments. She can't go work for the post office with marked heel and no papers.
And she is keenly aware that she is sixteen going on seventeen, which is a much different situation than she faced when she was on the block a decade ago being advertised for her literacy, assessed for her ability to take dictation.
She shifts position. The chain between her collar and the wall jangles. She watches people going by, browsing, reading the sign posted in front of her.
"Ayabel" - 125 seo
16 yrs, healthy
Reads & writes (Esevi, some Ancient Sudre)
10 yrs housegirl experience, previously farming
No history of rebelliousness
Yeah. No history of rebelliousness, because the old lady was old and coming up on the end of her life, the old lady let her read books and left her enough free time to think and draw, the old lady was going to will her to herself and then she could get started on her life.
This history won't last long, Aya doesn't think.
Most especially if anyone looks at the second line and brings her home for the obvious thing.
Aya is quite aware that she'd revise this opinion if her opinions had any power over the fate of the old lady. Since they do not, she will stand here and silently call down curses.
She was supposed to be willed to herself. She had plans. She was going to sleep in the temple attic and work for the post office and save up enough to go to Carthapane. She was pretty sure she could be enrolled in a college by twenty-five, doing something useful by thirty - she was undecided pending her more formal education between illegal human export and working within the system for debt relief or purchase-to-manumit programs -
And now she'll just count herself lucky if she gets bought by someone with loose enough security that she can flee over the border without falling into a magic, attempt to teach herself Tsopixi, and do - she doesn't have a plan after that, now. Her plan went up in smoke when the old lady's will was read and she was left to the idiot grandson and the idiot grandson traded her to a reseller for enough to cover his bad investments. She can't go work for the post office with marked heel and no papers.
And she is keenly aware that she is sixteen going on seventeen, which is a much different situation than she faced when she was on the block a decade ago being advertised for her literacy, assessed for her ability to take dictation.
She shifts position. The chain between her collar and the wall jangles. She watches people going by, browsing, reading the sign posted in front of her.
"Ayabel" - 125 seo
16 yrs, healthy
Reads & writes (Esevi, some Ancient Sudre)
10 yrs housegirl experience, previously farming
No history of rebelliousness
Yeah. No history of rebelliousness, because the old lady was old and coming up on the end of her life, the old lady let her read books and left her enough free time to think and draw, the old lady was going to will her to herself and then she could get started on her life.
This history won't last long, Aya doesn't think.
Most especially if anyone looks at the second line and brings her home for the obvious thing.
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He extinguishes the lantern, which doesn't substantially affect the light levels where they're standing - the attic has a large glass window just behind them, which is letting in enough morning light to illuminate all but the most crowded corners. And he goes back down the ladder, and leaves the lantern there, and leads Aya along the back ways to the kitchen.
'Back ways' prove to be a series of bare, narrow hallways leading to a set of bare, narrow stairs from which they emerge into the hallway that runs between kitchen and servants' quarters. The door to the kitchen is open, and emitting pleasing smells. Hal smiles.
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Is he ever going to tell her to drop the "my lord"? The old lady only wanted to be called "mistress" in front of company. She supposes it doesn't matter that much.
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"I'm gonna see what's cooking and get a snack. If you don't want anything you can go back to my rooms, if you think you can find the way back all right."
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The lizard gets two sets of wings to take down her new information - she takes her time with them. She puts the drawing somewhere visible (she doesn't want to be seen to hide things) but out of the way.
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She inspects the bookshelves.
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That seems to be it from him for now; his door doesn't open again anytime in the next several hours.
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- finishes the poems
- goes and gets lunch from the kitchens, and a nonperishable to keep in her room for snacking with fewer stairs in the way
- draws an embroidered bird with an extremely elaborate set of tails that dominate most of its page
- selects another volume (one of the history books) to read, and begins reading it, also in her room with the door open.
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He covers his face with his hands and adds, somewhat muffled, "Sorry about the ranting."
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(Where "chores" is a stand-in both for conventional work and for - the obvious thing, but she isn't about to suggest it.)
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